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Yulia Iosilzon’s Paintings Transform an Ancient Flood Narrative Into an Elegant Observance of Renewal — Colossal

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#Yulia osilzon

February 12, 2024

Kate Mothes

“The Noah’s Ark Motive” (2023). Photos by Deniz Guzel. All images © the artist, courtesy of Carvalho Park, New York, shared with permission

You can also find out more about the following: Book of GenesisIt is believed that the book was written in the 5th Century B.C.E. The four chapters of the book, which are influenced by earlier Mesopotamian legends, chronicle a world-shaking event. deluge. The story goes, God destroyed the world he thought was violent and corrupt. God chose Noah as his chosen man and instructed him to construct an ark. The vessel was able to protect the chosen few, bringing animals and a whole new existence.

London-based artist, Jennifer A. Smith, creates oil paintings that are ethereal and otherworldly. Yulia IosilzonAvoids depictions of stormy skies or bearded people. Also, avoids monumental vessels. She suggests that the flood narrative be viewed as a form or renewal and regeneration, rather than a tale about destruction. Rebecca Birrell, an art historian and scholar, wrote in an essay on this body of work that:

Iosilzon imagines another way to look at a myth that is infamous for its binary-thinking, its brutal and unyielding transmissions of devastation. hopelessness, and shame. The exact content of these paintings is ambiguous. However, the open-ended possibilities that they contain all embody a courageous optimism, a refusal to cruelty.

Iosilzon uses transparent fabrics through which the stretcher bars can be seen. Oil paint is used to create fluid gestures that draw the eye across the entire surface. Her subjects seem to emerge from the flood, becoming animals and hybridized versions. Titles like “White Transparent Frogs”You can also find out more about the following: “Lobster Tail Flowers (Shellfish)”Reference the unique features of creatures and use dots, dashes or waves to undulate around figures as they undergo dramatic transformations.

Most of these works comprise part of the artist’s recent solo show Heaven’s Chambers at Carvalho Park, which represents Iosilzon in the U.S. The exhibition will be included in Anomie’s forthcoming survey, The Anomie Review of Contemporary British Painting 3, scheduled for release later this spring.

If you’re in London, you can catch her upcoming solo exhibition” Berntson BhattacharjeeFind out more about the artist’s website. Find more on the artist’s WebsiteYou can also find out more about the following: Instagram.


“Abacus” (2023)

“Apples and Honey Land” (2023)

“White Transparent Frogs” (2022)

“Heaven’s Chambers, Shofar Hair” (2023)

“Lobster Tail Flowers (Shellfish)”

“Noah’s Ark” (2023)

“Shofar, Sound of Sabbath, New Moon” (2023)

#Yulia Iosilzon


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